I performed this several times including a recording with Dr. Klemperer and the Philharmonia in the 1950’s. He often conducted with no baton as I believe he had problems with his hands, but although his directions were sometimes not very clear he obtained some remarkable performances
His tempi were interminably slow. One could nod off in the slow movement and in what is really the scherzo which to my mind should be light and joyful, sounded to me like a bum-slapping, clod-hopping ländler, but that being said the recitatives and the Ode to Joy leading up to a triumphal ending were truly great.
It must be remembered that Dr. Klemperer was struggling with his health, and, looking back, he had a grand overview of the work. Going back to the “scherzo” he insisted that we repeated Klem-perer Klem- perer Klem-perer to ourselves so that we played the dotted quarters, eighths, and quarters correctly. Of course I suppose he could have reminded us to think of Beet-hoven Beet -hoven Beet-hoven, but conductors are sometimes egotistical.
I mentioned in a previous blogpost that nowadays music tends to be taken faster, probably a sign of my old age and certainly if you listen to Toscanini then indeed Klemperer is slow and stately, but lately, after listening to many of his recordings a certain grandeur comes out which will make him remembered to posterity.